The renders, drone reels and site photography are already there. We finish them as cinema, so the donor sees the tower, the council sees the bridge, the customer sees the hot-aisle, and the broker walks the floor. Six examples below, each one a different technique applied to a real Brasfield & Gorrie project.
Each tile is a live preview of one technique we'd apply to your source material. Hover, watch, then picture it cut to 60 seconds with the right voice over the top.
Lauralu builds turnkey modular industrial canopies, sports roofs, megastructures. We turned the engineering drawing into the marketing film, so clients see the facility full, lit, and busy before they sign the build order. Closest analogue to your industrial and heavy civil pursuits.
Turnkey modular buildings: padel courts, sports roofs, industrial canopies, megastructures. 30 years in business, 220+ projects, installation in 14 days or less. The brief was to let clients see a finished facility before the first bolt went in.




A 44-second brand and construction film showing both process and finished space in use. Static product shots and one indoor mockup, finished as cinema. Now a core sales-enablement asset for every sports and industrial vertical Lauralu pitches into.
"The same approach scales to a heavy civil submission or an industrial owner walkthrough. The shot count and the runtime change. The craft does not." Production note
Willow Grove was a UK housing development that needed to sell off-plan. We built a cinematic walkthrough from the developer's brochure alone. Closest analogue to a Healthcare donor film or a Commercial pre-lease reel: building exists on paper, the audience needs to feel it.
A new-build development that needed to sell off-plan before a single brick was laid. The only source material was the developer's brochure: a 36-second drone reel of the site and a folder of show-home stills.




A full cinematic walkthrough that moves through the same rooms. Same stills, finished as film. The developer went from a property folder to a broadcast-grade brand asset, ready before the first brick was laid.
Two commercial spaces. One a vacant Belfast office floor. One a working co-working campus. Both started with the standard agency photography pack. We turned both into populated, lived-in walkthroughs. Closest analogue to your Commercial leasing pursuits.
A vacant Category B floor in Belfast. The architect's render plus three raw listing photographs of bare concrete, exposed ceiling services, and the Belfast skyline through glazing.




A 27-second populated walkthrough built from the architect's render and the agent's own listing shots. Desks, people, kitchen, skyline framed through an occupied lounge. From the same source material the leasing agent already had.
EBE runs The Foundry, a co-working space with private offices, hot desks, a lounge, a kitchen, meeting rooms, and an event hall. The brief was the standard agency set: clean shots of empty rooms on a Wednesday afternoon. Nothing differentiating.




16+ cinematic clips, every one built from a still photo of an empty room that already existed. Exterior approach. People moving through the lounge. Kitchen conversations. Event hall mid-networking. Dedicated brand moments for the resident partners. No shoot day. No location hire. No disruption to the tenants.
"Photography to possibility. Every commercial owner already has the source material. They just don't know it's the source material yet." Production note
Your pursuit lead or marketing lead tells us what's at stake. Pursuit, donor cheque, RFP, ribbon-cut. We tell you if it's a fit. If it is, a short brief lands the same day.
IFC drawings. Architect's renders. Drone reels. Site photography. Owner brand assets. Whatever exists. Plus one recorded conversation so the script lands in your voice.
The longest stretch and the one that matters. Script, storyboard, reference, then generate every shot. You see cuts at each milestone, not just the end.
Finished in-house. Pursuit film, board cut, RFP submission cut, social cutdowns, broadcast loop. Whatever formats the campaign needs.
A pursuit, a donor moment, an RFP we should look at.
15 minutes. We'll show you what one of yours could look like.
Let's talk about itPick one Brasfield pursuit, one donor film, one RFP. Send the source material. We'll come back with a storyboard and a short concept piece tailored to it. No spend until you've seen what it looks like.
Send us a projectOr email keith@claytoneverettdesign.com